REVIEW: Sister Act – Birmingham Youth Theatre – Crescent Theatre
REVIEW: Sister Act – Birmingham Youth Theatre – Crescent Theatre
‘A Disco-infused Musical Sensation’
★★★★★
The award-winning Birmingham Youth Theatre returned to the Crescent Theatre stage with another smash-hit show last weekend. After the success of their previous show, Cinderella, BYT performed another hit with the musical comedy Sister Act. With music by the legendary Alan Menken and lyrics from Glenn Slater, who together with writers Cheri & Bill Steinkeller, have created a witty, joyous and entertaining musical.
Based on the 1992 film, the show follows nightclub singer Deloris Van Cartier who is forced to go into hiding after witnessing a murder committed by her gangster boyfriend, Curtis. While he is determined to track her down, Deloris is hidden in a place no one would suspect… a convent. To keep Deloris out of mischief during her stay, Mother Superior instructs her to help the Church choir and does so in a chaotic style that may expose her real identity.
Sister Act is a challenging musical for an amateur group to take on, but BYT pulled it off effortlessly – with a cast of talented youngsters. With outstanding lighting, authentic set pieces and a six-piece band, this production was bursting with professionalism and sets an example for other youth groups to follow.
Zeena Abdulla leads the cast as Deloris with an exceptional performance from the outset. Abdulla brings the perfect balance of humour and stunning vocals throughout. Maddison Clarke also gives a refined and West End-worthy performance as Mother Superior, effortlessly nailing complex notes to sing, highlighted during ‘I Haven’t Got A Prayer’. The two characters develop a love-hate relationship that is humourous and entertaining to watch unfold.
Harrison Doherty, as Eddie, performed one of the show’s memorable moments, with the disco-infused ballad ‘I Could Be That Guy’. Doherty brought smooth vocals and tenderness as Deloris’ potential love interest. Daisy Wright took on the role of Sister Mary Robert, who shone while singing the showstopping number ‘The Life I Never Led’, with a pitch-perfect singing voice. Lily Mae Nicholls brought superb talent and comic timing to the stage as Sister Mary Patrick, along with Kitty Smart as Sister Mary Lazarus. Luke Griffiths threw himself into the role of Monsignor O’Hara, bringing even more laughs with his expert line delivery.
David Morrison gave a menacing performance as Curtis. His number ‘When I Find My Baby’ showcased his strong stage presence and villainous characterisation skills. Sleazy henchman Joey, TJ and Pablo, played by the confident Charlie McRobert, Luke Holcroft & Andrew Morrison, brought the house down with their hilarious rendition of ‘Lady in the Long Black Dress’. The trio built a likeable, comic chemistry, with Morrison expertly pronouncing Spanish dialogue.
The sisters were all exceptionally portrayed by Marni Carroll, Sophie Terry, Livvy Owen, Emily Green, Eva Phelan, Tabitha Vlok, Lucy Jones, Beatrice Roberts, Megan Allsop, Sophia Chilton, Sophia Cupples, Amelia Jennings, Saran Sambhi, Abigail Bell and Anna Simpson. Furthermore, the dancers and ensemble were exemplary thanks to cast members: Chyna Smyth, Breah Grimley, Edina Bilham-Moore, Ella Peirce, Ena Moreton, Maisie Cotterill, Oonagh Williamson, Lucie Holcroft, Gethin Randerson, Ava Jones, Bella Hoppner & George Beckett. It’s great that every single member on stage played their own individual characters to perfection, getting their moment to shine.
With the musical direction of Chris Corcoran, each number was executed with style – delightfully performed and sung. The playful staging and pacing were spot-on too, thanks to director Vivienne Morrison. With Kennedy Glews as choreographer, the musical numbers were slick and joyous to watch on stage, with polished dance routines that enhanced the 70s vibe. Set design by Christopher Jeff & Scenic Projects Ltd also brought 70s authenticity, along with costumes from Julie Albas – that added a bit of sparkle with a sequin-filled finale.
Lighting Design & Programming from Dave Pittam and Sam Tanner of Going Dark Theatrical Services was stellar, enhancing the show’s impact and engagement. Sound from Martin Hudson & Dan Clarkson was also exquisite, especially impressive for a youth production. It’s crystal clear so much time and thought went into bringing this show to the stage. Congratulations to all cast, crew & volunteers involved for putting on a spectacular production of Sister Act!
Birmingham Youth Theatre return to the Crescent Theatre in January 2024 with Sleeping Beauty!
